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The current royal academy (ra) exhibition the renaissance nude investigates the representation of the nude human body from the fourteenth century onwards Yet, pious european renaissance society was troubled by the nude and its new sensuality—a conflicted response echoed in the world today, where images of nudity have become ubiquitous While during greek and roman antiquity human nudity seems to have been commonplace, at least in the arts, during the middle ages the nude body was no longer used as a form of physical.
Renaissance nudity, whether meant to titillate or not, generally meant one of two things Inspired by a renewed interest in classical sculpture and closer study of nature, renaissance artists made the nude body ever more vibrant, lifelike, and central to their practice As humanism unveiled ancient texts, and classical sculptures.
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The exhibition and book *the renaissance nude* explore the complex power dynamics of images of the female body in the renaissance The renaissance nude examines the relative prominence of male and female nudes during the renaissance Whereas female nudes by titian, giorgione, and correggio, all represented in the exhibition, helped make the female nude one of the most popular themes in european art. Nudes in the 15th and 16th centuries were produced for churches and monasteries, private collections, and anatomical treatises, while pornographic prints circulated widely
Some are full of erotic possibilities, though a remarkable number are distinctly unerotic Ironically the least sexy objects are the ones that verge on pornography. The renaissance nude the nude—the unclothed or partially clothed human body—has been featured in european art for millennia
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